Our composition system is elegant in its sheer simplicity
of use—plus, it creates a subtle “U” wherever it appears. By defining the grid based on the logo (and exploring how columns scale across different sized compositions), the system stays flexible and beyond easy to apply. We’ve looked at different frame variants, how type works in different layouts, and are wire-framing our dynamic composition
web tool to prepare for the initial build.
The U-frame was conceived by extending the bit up which allows the negative space to create a supportive U-frame.
There is no light U-frame in the brand system
No U-frame, no logo (full-bleed)
- If your composition is very tall and skinny or very short and wide (like some banner ads), the U-frame will not work. The more real estate you have to play with, the more successful
the U-frame will be.
- Make sure that the context for your U-frame will provide sufficient contrast. For instance,
if the composition is sitting on a black background, the U-frame should be white,
or filled with a lighter color or image (otherwise the shape will disappear).
- For printed assets:The U-frame requires a bleed and the ability to trim. If you are using
a standard office printer and are unable to trim the final print, do not use the U-frame.
- The U-frame is generative and provides
layout flexibility.
We have four frame variants. Content and format dictates the which layout to use.
4. Full-bleed composition
In extreme instances when the formats are extended across print and digital applications use these frame variants.
6a. Extended U-frame left
6b. Extended U-frame right
- Banner ad | Event signage
- 16:9 Presentation | All A sizes (horizontal) | Legal (horizontal) | Tabloid (horizontal) | Letter (horizontal)
For grid setup refer to page
Base unit = 1U
Basic grid + 2× base unit padding—
For grid setup refer to page
Base unit = 1URegular U-frame = 2U
Basic grid + 3× base unit padding—
For grid setup refer to page
Base unit = 1UMedium U-frame = 3U
Basic grid + 4x base unit padding—
For grid setup refer to page
Base unit = 1UBold U-frame = 4U
- Based on the column breakdown, determine the number of columns that makes the most sense for your composition. For a 16:9 presentation format,
a 9-column grid works best.
- Once the columns are established, divide the width of one column into three even parts. 1/3 of the column width = margin and base unit width
- Apply the 1/3-column margin to the top, right, bottom, and left of the composition.
- Once the margins are established, divide the width of the margin into two even parts. 1/2 of the margin width = the gutter width.
- The gutter width should be consistent across the composition.
- Adjust the baseline grid in InDesign. The grid should be relative to margin top and the increment should match the leading of smallest type in composition (if contains 12/14 pt type, baseline grid should start at top margin and have gridline each 14 pts).
- Logo height = base unit height, headline cap height = 1.5× base unit height, and the subhead = 1/2 of the headline point size.
- The base unit = the basic grid margin width
- Multiply the base unit width by 3
- Apply the 3× margin width to the right, bottom, and lefthand sides of your composition. Do not adjust the top margin.
- Once the new margins are established, create content padding by adding one base unit of padding to the outside of the margins on the right, bottom, and lefthand sides of your composition
- The padding should be even on all sides
- Logo height = base unit height, headline cap
height = 1.5× base unit height, and the subhead
= 1/2 of the headline point size.
- The base unit = the basic grid margin width
- Multiply the base unit width by 4
- Apply the 4× margin width to the right, bottom, and lefthand sides of your composition. Do not adjust the top margin.
- Once the new margins are established, create content padding by adding one base unit of padding to the outside of the margins on the right, bottom, and lefthand sides of your composition.
- The padding should be even on all sides
Logo height = base unit height, headline cap
height = 1.5× base unit height, and the subhead
= 1/2 of the headline point size.
- The base unit = the basic grid margin width
- Multiply the base unit width by 5
- Apply the 5× margin width to the right, bottom, and lefthand sides of your composition. Do not adjust the top margin.
- Once the new margins are established, create content padding by adding one base unit of padding to the outside of the margins on the right, bottom, and lefthand sides of your composition.
- The padding should be even on all sides
- Refer to page XX for additional guidance
- Logo height = base unit height, headline cap
height = 1.5× base unit height, and the subhead
= 1/2 of the headline point size.
- Based on the column breakdown, determine the number of columns that makes the most sense for your composition. For a 16:9 presentation format,
a 9-column grid works best.
- Once the columns are established, divide the width of one column into three even parts. 1/3 of the column width = the margin width.
- Apply the 1/3 column margin to the top, right, bottom, and left of the composition.
- The margin width is your new gutter width.
- The gutter width should be consistent across the composition.
- Apply the 1/2 margin gutters to the composition. The gutter width should be consistent across the composition.
- Obey the margins and gutters when placing text into the composition. The logo should snap to the margin (as it does with the basic grid)
- Logo height = base unit height, headline cap
height = 1.5× base unit height, and the subhead
= 1/2 of the headline point size.
- Do not use the Medium or Bold U-Frame an extended U-frame composition
- The gutters should be the same width as the margins
- The image block an sit on either the left of the righthand side, but should snap to the Regular U-frame grid margins. Obey the margins and gutters when placing text into the composition
- The logo should snap to the bottom of the image block (not the inset margin)
- Logo height = base unit height, headline cap
height = 1.5× base unit height, and the subhead
= 1/2 of the headline point size.
Image on image compositions are designed to tell deeper visual stories. Imagery used in the U-frame should be simple and never complex or distracting. Background images should be textural to allow the image in the frame to pop.
Telling stories of someone’s journey from one place to another.
Showing different perspectives or directions of the same event.
Giving textural reference to someone’s place of origin.
Composing complex images together
Using the same image for both U-frame and inset
Connecting images that don’t match or are not associated with each other
Color in both images are similar so the U-frame becomes undistinguishable
Crop important elements in the image that should be shown or use image for U-frame that should be inset
Similar images that don’t demonstrate a strong enough story to use image on image compositions
Bold U-frame
Medium U-frame
Regular U-frame
Split U-frame
Full Bleed U-frame
Avoid using the U-frame in contexts without sufficient contrast.
Do not rotate the U-frame (it will not longer resemble a U).
Do not round the corners of the U-frame.
Do not create uneven U-frames, at least two sides must be equal. (The partial U-frame is the exception to this rule).
Do not use multiple U-frames within a composition.
Do not add special effects to the U-frame.
Do not break the U-frame.
Do not use the U-frame if full-bleed is not possible.
- Content dictates the format
- Don’t force the U-frame
- Reserve U-frames for key moments